Cameras / Kit Hire
Kennington Film Studios is a full service digital production company based in Central London, we offer a variety of services, including kit hire, lighting hire, studio sound stages, and live streaming broadcast.
Our premium kit hire solutions include industry-leading cameras & lenses and a portfolio of equipment including tripods, matte boxes, focus systems and grip.
We also have an extensive selection of high-end studio & location lighting and insurance is available on request.
Please call us on 020 3405 2263 or email us email@example.com for a full list of packages and items available.
ALEXA XT PLUS
The ALEXA XT Plus (XT = Xtended Technology) is the most versatile and flexible of the ALEXA XT camera range, and thus a true allrounder. With an integrated wireless receiver for camera and lens remote control, built-in tilt and roll sensors, a DNxHD license and additional connectors for camera and lens control, signal output and accessory power supply, the ALEXA XT Plus offers the best value for anyone who can live without an optical viewfinder.
Like all ALEXA XT cameras it has a Super 35 sensor with Open Gate and 4:3 sensor modes, in-camera ARRIRAW up to 120 fps, ProRes 4444 XQ, ProRes 3.2K, internal ND filter, Lens Data System, integrated CDL capture, ARRIRAW checksum, included anamorphic de-squeeze and high speed licenses, new viewfinder mounting bracket as well as a new, super silent fan.
Package prices start from £650 per day.
Capture motion and stills in 6K 2.4:1 at up to 100 frames per second (fps), or 6K Full Format at 75 fps, with the cutting-edge RED DRAGON® sensor—optimized for WEAPON®. Manufactured with ultra-lightweight carbon fiber—the WEAPON Woven CF delivers a new level of intuitive control and ergonomic design. Our engineers packed the best aspects from RED EPIC® and SCARLET®— along with numerous performance enhancements such as on-board Apple ProRes and Avid DNxHR/ HD recording, as well as limited 3D LUTsupport— into a smaller BRAIN®, completely redesigned for modular performance.
Just one of the major improvements with WEAPON is the integration of the new DSMC2® intelligent OLPFsystem, making it easier than ever to optimize your footage for your shooting environment—by quickly swapping out your optical low pass filter. Choose from our growing line of DSMC2 OLPFs including the DSMC2 Standard OLPF, DSMC2 Low Light Optimized OLPF, DSMC2 Skin Tone-Highlight OLPF, or all three with the 3-Pack.
Package prices start from £450 per day.
RED DRAGON (X2)
With the 5K RED DRAGON® sensor, you can capture over 9x more pixels than HD. Unrivaled detail and impressive native exposure eclipse 35mm film in both latitude and image density. Industry leading specs distinguish the EPIC DRAGON as a model for image innovation, helming the evolution of digital cinema technology.
Resolution is more than just attention to detail. From large objects to granule textures, 5K images cultivate the nuance of every image, leaving nothing behind. Improvements to micro-contrast and MTF produce a cleaner image, drastically reducing moiré and aliasing artifacts. When outputting 5K files to 4K or HD, your image will appear more refined and detailed compared to those captured at lower resolutions. The choice is simple; Bigger is better.
Package prices start from £400 per day.
Sony engineers were on a mission. To provide a sculpted, handheld design that remains comfortable even over the course of long shoots. To support hour after hour of recording—without changing memory cards. To provide the latest in resolution, exposure latitude, and colour reproduction. And to deliver it all in one affordable, practical package. With the PXW-FS7, that mission is a success.
When it comes to image sensors, size definitely matters. Sony’s Super 35 sensor delivers “bokeh,” the defocused backgrounds made possible by shallow depth of field. A common technique for directing audience attention within the frame, shallow depth of field is far easier to achieve with a large sensor. Other things being equal, a bigger sensor also equates to better low-light sensitivity and lower image noise. And with bigger sensors, the field of view is wider for any given focal length lens.
Package prices start from £150 per day.
COOKE S4/i LENS KIT
Award winning Cooke S4 Prime Lenses were designed and developed in close technical collaboration with industry professionals. They are colour-matched and compatible with Cooke’s, 18- 100mm T3.0 and 25-250mm T3.7, 15-40mm, T2.0 CXX zoom lenses and the SK4 16mm lenses.
Cooke S4 optics offer superb optical and mechanical performance, control of flare, distortion, veiling glare and spherical aberrations at full aperture. The cam-type focus mechanism allows for smooth focus adjustments. Modular construction increases ease of maintenance and serviceability.
Package prices start from £430 per day.
ZEISS ULTRA PRIME LENS KIT
Ultra Prime Lenses have the widest focal range of any prime lens set available to cover every cinematic need: from the unique Ultra Prime 8R extreme wide angle lens to the best telephoto lens designed specifically for motion pictures, the Ultra Prime 180 mm, giving you the flexibility to get the coverage you want.
Ultra Prime Lenses retain their excellent image quality even at close focus across the whole Super 35 frame. The Ultra Prime Lenses are lightweight standard speed lenses that are a perfect optical match to the high speed Master Prime Lenses.
Package prices start from £370 per day
ZEISS SUPER SPEED MKIII LENS KIT
Zeiss Super Speeds are high-quality, fast PL-mounted lenses perfect for all 35mm film and digital cinematography cameras. Featuring a very compact mechanical and optical design, they are also well suited for handheld & gimbal filming.
These are the MKIII variant of Super Speed lenses and date from the 1980s era. A popular choice for DoPs looking to shoot in low light conditions without ramping the camera ISO setting.
Package prices start from £325 per day.
Angenieux provides a unique range of zoom lenses perfectly suited for productions ranging from top quality to mid-range. Purposely built for cinematic production, Angineux lenses achieve excellence in design, mechanical and optical perfection.
The pristine optical performance and seamless blend between contrast and resolution create a distinct cinematic look unique to Angenieux lenses.
Package prices start from £320 per day.
KOWA / MIRRORSCOPE 2X ANAMORPHIC PRIME SET
These rare and popular lenses have a compact form factor, making them ideal for handheld, steadicam or drone use. Low in contrast with a warm hue, they can be made to flare easily for a vintage look but the new mechanics make them feel like modern lenses.
The vintage look created by the unique front anamorphic lens system offer cinematographers great creative scope.
The set includes a 40mm, 50mm (T2.3), 75mm T2.8 and the 100mm T3.4. Also in the set is the much loved Mirrorscope 30mm adapter.
Package prices start from £425 per day.
ZEISS CP2 PRIME LENS KIT
One of the most important aspects of a successful production is the competence and diversity of your team. Whether you’re shooting a commercial where exquisite color rendition and high contrast is important, or a tense, dramatic sequence in low light situations for a feature film, Compact Prime lenses offer you the performance you need to get the scene right.
With a wide range of focal lengths, full-frame coverage, fantastic image quality, great flare suppression and precise focusing through the large rotation angle, Compact Prime lenses give you a flexible set of tools to make your film shine. With its long history in both photo and cine lenses, ZEISS is dedicated to supporting filmmakers and allowing you to benefit from the highest possible image quality in any situation.
Package prices start from £180 per day.
The Wireless Compact Unit WCU-4 combines three axes of lens control with a lens data display in a compact and ergonomic housing. It works with ALEXA Plus and Studio cameras and UMC-4, SMC-1 and EMC-1 motor controllers. Set includes hand unit, hand strap, lanyard and one plain focus ring.
SkyPanel is a compact, ultra-bright and high-quality LED soft light that sets a new standard for the industry. With a design focused on form, color, beam field and output, SkyPanel represents the culmination of more than a decade of research and development of LED technology at ARRI.
The Matador Dolly is a lightweight dolly on which a seat swivel support or JanJib can be mounted. A non-slip carpet layer is fixed to the platform. The Matador Dolly can be widened with sideboards which are supplied standard with the Matador Dolly. Its extendable back-axles will guarantee a very high degree of stability. This dolly is steerable from either end. The Matador Dolly accepts trackwheels, pneumatic wheels and hard rubber wheels.
The Easyrig gives you the speed and mobility of a handheld camera, while still achieving steady shots from the shoulder, the hip or even at knee level.
The Easyrig is ideal for news broadcasts, sport events, documentaries, commercials or many other handheld situations where stability is crucial and where the freedom to move is essential.
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Studio Account Executive